turn the edge of - definition. What is turn the edge of
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%ما هو (من)٪ 1 - تعريف

NOVELLA BY HENRY JAMES
Turn of the Screw; The turn of the screw; The Turn Of The Screw
  • Alexa Harwood and Alexandros Swallow as Flora and Miles in the 2019 [[New Zealand Opera]] production directed by Thomas de Mallet Burgess
  • ''The Turn of the Screw'' is often mentioned in relation to ''Jane Eyre'', and alludes to the novel

turn the edge of      
Make dull, make blunt, deprive of sharpness.
The Turn (film)         
2012 SHORT FILM
The Turn (2012 film)
The Turn is a 2012 short film, written and directed by Christian Krohn. It stars James Phelps in one of his first roles since playing Fred Weasley in the Harry Potter film series.
three-point turn         
  • right-hand traffic]])
METHOD OF TURNING VEHICLES AROUND IN A LIMITED SPACE
Turn in the road; 3 point turn; 3-point turn; Three point turn; K-turn; Y-turn; Turning in the road; K turn
(three-point turns)
When the driver of a vehicle does a three-point turn, he or she turns the vehicle by driving forwards in a curve, then backwards in a curve, and then forwards in a curve.
N-COUNT

ويكيبيديا

The Turn of the Screw

The Turn of the Screw is an 1898 horror novella by Henry James which first appeared in serial format in Collier's Weekly (January 27 – April 16, 1898). In October 1898, it was collected in The Two Magics, published by Macmillan in New York City and Heinemann in London. The novella follows a governess who, caring for two children at a remote estate, becomes convinced that the grounds are haunted. The Turn of the Screw is considered a work of both Gothic and horror fiction.

In the century following its publication, critical analysis of the novella has undergone several major transformations. Initial reviews regarded it only as a frightening ghost story, but, in the 1930s, some critics suggested that the supernatural elements were figments of the governess' imagination. In the early 1970s, the influence of structuralism resulted in an acknowledgement that the text's ambiguity was its key feature. Later approaches incorporated Marxist and feminist thinking.

The novella has been adapted numerous times, including a Broadway play (1950), a chamber opera (1954), two films (in 1961 and 2020), and a miniseries (2020).